ETTISAL : Journal of Communication
https://ejournal.unida.gontor.ac.id/index.php/ettisal
<p>ETTISAL: Journal of Communication (EJOC) registered with<a href="https://issn.brin.go.id/terbit/detail/1457505767"> ISSN 2599-3240 (Print)</a> and <a href="https://issn.brin.go.id/terbit/detail/1502676223" target="_blank" rel="noopener">ISSN 2503-1880 (Online)</a>. Selected paper that published by EJOC is under a Creative Commons Attribution ShareAlike 4.0 International License. EJOC is a blind peer-reviewed journal published semi-annual ( June and December) by Universitas Darussalam Gontor incorporate with the Indonesian Communication Scholars Association: Ikatan Sarjana Komunikasi Indonesia (ISKI) and association of communication science colleges: Asosiasi Perguruan Tinggi Ilmu Komunikasi (ASPIKOM) </p> <p> <a href="https://drive.google.com/file/d/1H-V3r3X1EC0uoR4YdT0N_U0RXZCbjyjh/view"><img src="https://i.ibb.co/RQhBQQh/MOU-Iski.png" alt="" width="157" height="51" /> </a> <a href="https://drive.google.com/file/d/19p9TySrPHDCcWU4dbFm5RoZMFDOQkcJW/view?usp=sharing"><img src="https://i.ibb.co/2g3FQgR/MOU-Aspikom.png" alt="" width="157" height="51" /></a></p> <p>EJOC also supervised by Indonesian Communication Science Journal Management Association: Asosiasi Pengelola Jurnal Ilmu Komunikasi Indonesia (APJIKI), Journal Organizing Association of Da’wah: Persatuan Pengelola Jurnal Dakwah (PPJID) and Indonesian Journal Volunteers: Relawan Jurnal Indonesia (RJI)</p> <p> <a href="https://apjiki.or.id/" target="_blank" rel="noopener"><img src="https://i.ibb.co/wWJPL4q/apjiki-logo.png" alt="" width="157" /></a><img src="https://i.ibb.co/cLY2vpX/ppd-IJ-LOGO.png" alt="" width="157" height="51" /><a href="http://relawanjurnal.id/" target="_blank" rel="noopener"><img src="https://i.ibb.co/bX8rjFm/rji-logo.png" alt="" width="157" height="51" /></a></p> <p>DOI: https://doi.org/10.21111/ejoc</p> <p>ETTISAL: Journal of Communication invites manuscripts in the various topics include, but not limited to: Political communication, Cross-cultural communication, Business communication, Organizational communication, Health communication, Media Studies, Semiotics, Media Literacy, Marketing Communication.</p> <p>ETTISAL: Journal of Communication accredited by Kemenristekdikti RI (Sinta 2) based on SK No. 225/E/KPT/2022 </p> <p> ETTISAL : Journal of Communication indexed by : </p> <p><a href="https://moraref.kemenag.go.id/"><img src="https://i.ibb.co/JtksNtk/moraref.png" alt="moraref" width="157" height="59" /></a></p> <p> </p> <p>This Journal indexed by several index institution including:</p> <p> <a href="https://scholar.google.com/citations?user=dFxgt2wAAAAJ&hl=en" target="_blank" rel="noopener"><img src="https://i.ibb.co/JH2Fxvh/googlescholar.png" alt="Google" width="157" height="54" /></a> <a href="https://garuda.kemdikbud.go.id/journal/view/9786" target="_blank" rel="noopener"><img src="https://i.ibb.co/n6jN16G/garuda.png" alt="Garuda" width="157" height="54" /></a> <a href="https://www.base-search.net/Search/Results?type=all&lookfor=ETTISAL%3A+Journal+of+Communication&ling=0&oaboost=1&name=&thes=&refid=dcresen&newsearch=1" target="_blank" rel="noopener"><img src="https://i.ibb.co/s1crKQX/base.png" alt="base" width="157" height="54" /></a> <a href="https://www.worldcat.org/search?q=ettisal+%3A+journal+of+communication&qt=results_page" target="_blank" rel="noopener"><img src="https://i.ibb.co/BV7K7tC/worldcat.png" alt="worldcat" width="157" height="54" /></a> <a href="https://onesearch.id/Record/IOS4676.JATIM000000000015311"><img src="https://i.ibb.co/0yChT1X/one-search.png" alt="onesearch" width="157" height="52" /> </a> <a href="https://search.crossref.org/?q=ettisal+%3A+journal+of+Communcation&from_ui=yes"><img src="https://i.ibb.co/yY1qGHF/crossref.png" alt="crossref" width="157" height="54" /></a> <a href="https://app.dimensions.ai/discover/publication?search_text=ettisal%3A%20journal%20of%20communication&search_type=kws&search_field=full_search" target="_blank" rel="noopener"><img src="https://i.ibb.co/Cs5Yy1G/dimensions.png" alt="dimensions" width="157" height="51" /></a> <a href="https://sinta.kemdikbud.go.id/journals/profile/5024"><img src="https://i.ibb.co/6nfFXkc/sinta.png" alt="" width="157" height="54" /></a></p> <p> </p> <p>The submitted manuscript would be check for plagiarism using by Turnitin with a maximum tolerance of 10 per cent. </p> <p> <a href="https://ejournal.unida.gontor.ac.id/index.php/ettisal/management/settings/context//index.php/ettisal/manager/setup/turnitin.com" target="_blank" rel="noopener"><img src="https://i.ibb.co/PwfcYr0/thurni.png" alt="" width="157" height="54" /></a></p> <p>Articles published in the ETTISAL: Journal of Communication were reviewed by at least two reviewers before being published through a blind peer review.</p> <p> </p>Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indoen-USETTISAL : Journal of Communication2503-1880<p>In order to be accepted and published by Ettisal : Journal of Communication, author(s) submitting the article manuscript should complete all the review stages. By submitting the manuscript the author(s) agreed to these following terms:</p><p>1. The copyright of received articles shall be assigned to [Ettisal : Journal of Communication] as the publisher of the journal. The intended copyright includes the right to publish articles in various forms (including reprints). [Ettisal : Journal of Communication] maintain the publishing rights to the published articles.</p><p>2. Authors are permitted to disseminate published article by sharing the link/DOI of the article at [Ettisal : Journal of Communication]. authors are allowed to use their articles for any legal purposes deemed necessary without written permission from [Ettisal : Journal of Communication] with an acknowledgement of initial publication to this journal.</p><p>3. Users/public use of this website will be licensed to CC BY-NC-SA (Attribution & Non-Commercial-ShareAlike)</p><p> </p>Diskursus Relasi Agama dan Negara dalam Kanal Youtube Aswaja NU Center Jawa Timur
https://ejournal.unida.gontor.ac.id/index.php/ettisal/article/view/11236
<p>The debate about the relationship between religion and the state in Indonesia has been going on since pre-independence times and the problem is still ongoing today. This debate occurred in various public spaces, including on social media, YouTube channels. Aswaja NU Center East Java is Nahdlatul Ualama's YouTube channel which also articulates discourse on the relations between religion and the state in Indonesia. The aim of this research is to find out how the relationship between religion and the state in Indonesia is interpreted on the Aswaja NU Center East Java YouTube channel and to find out the causes of this discourse continues to this day. This research approach is qualitative using Norman Fairclough's Critical Discourse Analysis method. This method analyzes discourse from linguistic aspects, aspects of discourse practice and the surrounding social context. The results of the research show that according to the East Java Aswaja NU Center, the most appropriate form of relationship between religion and the state to be implemented in Indonesia is the substantive model, namely the State prioritizes the implementation of religious values in state life rather than the existence of religious symbols. Then the factor that causes the debate on the relationship between religion and the state in Indonesia continues to rage, namely because there is a history of the formulation of the basic state of Pancasila which has not been completed and Pancasila is still used as a political tool of the ruling regime.</p>Nabila Marasabessy
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2024-12-222024-12-229217921010.21111/ejoc.v9i2.11236The Impact of Self-Esteem and Media Literacy on Personal Branding Strategies on Instagram Among Generation Z
https://ejournal.unida.gontor.ac.id/index.php/ettisal/article/view/11758
<p>In today's digital era, social media platforms such as Instagram play a key role in self-expression. This research investigates the dynamic interplay between self-esteem, media literacy, and personal branding strategies on Instagram within Generation Z, considering self-perception as a pivotal intervening variable. The study aims to understand the nuanced relationships and their impact on the digital identities crafted by individuals in this demographic. Employing a quantitative research approach, the study utilizes Path Analysis to analyze the complex relationships among self-esteem, media literacy, personal branding strategies, and self-perception. The primary data collection method involves online surveys through structured questionnaires distributed to a diverse sample of Generation Z Instagram users. Preliminary findings reveal significant correlations between self-esteem, media literacy levels, and the adoption of distinct personal branding strategies on Instagram within Generation Z. The research also identifies self-perception as a crucial intervening factor that influences the nature and effectiveness of personal branding efforts on this social media platform. The study enhances insights into factors influencing personal branding on Instagram for Generation Z. Recognizing the roles of self-esteem, media literacy, and self-perception, it offers valuable insights for educators, marketers, and social media users navigating online self-representation complexities.</p>Edelweis AudrewHaris Herdiansyah
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2024-12-222024-12-229210.21111/ejoc.v9i2.11758Systematic Literature Review: Interpersonal Communication Problems In Hearing Children From Deaf Parents
https://ejournal.unida.gontor.ac.id/index.php/ettisal/article/view/12315
<p>The main problem in families in which there are Deaf parents and Hearing children is the problem of communication, both verbally and in sign language. Hearing children with Deaf parents are able to communicate in two ways, either verbally with non-Deaf people or using sign language with Deaf people. Communication between children and Deaf parents is an important problem in their social and emotional development. This study aims to determine the communication problems that arise between children and Deaf parents. The main focus is to explore the obstacles experienced by children in understanding and conveying messages from their parents who have hearing impairments. This study uses the Systematic Literature Review (SLR) method. Researchers found 127 Scopus articles in a search using Science Direct and with the help of Mendeley and VOSViewer which were then filtered into 18 articles to be analyzed descriptively. The findings show that lack of communication should not be a reason why Deaf parents cannot have access or information about their children. And appreciate that hearing children or Children of Deaf Adults or CODA have different ways of communicating with Deaf parents, the Deaf community and the hearing or non-Deaf community.</p>Santi SetyaningsihPrahastiwi UtariIgnatius Agung Satyawan
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2024-12-222024-12-229223324610.21111/ejoc.v9i2.12315The Perpetual Patriarchy And How Dangdut Music Deals With It In A Study Of Semiotic Analysis
https://ejournal.unida.gontor.ac.id/index.php/ettisal/article/view/12428
<p>Dangdut music is now synonymous with the expression of sexuality. The dangdut phenomenon is actually a national phenomenon, with the concept of selling sexuality becoming a trading strategy by carrying out stage tricks that approach cultural hyperreality that also perpetuate patriarchal culture for dangdut songs dominated by sexuality. This is in contrast to dangdut songs with a religious genre that have a mission of resistance and victory over the patriarchal system. The purpose of this study is to analyze and compare the semiotics of the representation of power over sexuality in the dangdut song “Duo Semangka” and the religious genre dangdut song “Nasida Ria”. This study is different from previous studies because previous studies have revealed more erotic dancing while this study reveals video clips that are used as points of sensuality along with song lyrics that contain erotic elements and a comparison of religious song lyrics. This qualitative research uses Roland Barthes› semiotic method for the investigation of symbols, forming an important tradition of thought in communication theories. Roland Barthes sees deeper meanings at a more conventional level, namely denotative, connotative and mythical meanings. This study categorizes the patriarchal power found in Duo Semangka dangdut music into five parts, namely the female body, women as seducers of men, relations between men and women and women as objects of men›s gaze and the hyperreality of stage tricks that perpetuate patriarchy. The existence of cultural deviations in patriarchy means that there must be special efforts in implementing the propriety of art and culture. The occurrence of a cultural crisis must be returned to the musical order that is in accordance with the nation›s culture. It is necessary to continue to support dangdut artists to create works with religious themes and pride in the nation›s culture. Steps to balance patriarchal culture in dangdut song lyrics and video clips can be done by raising awareness of patriarchal culture. Furthermore, supporting social change and policies in gender equality in dangdut entertainment songs and video clips. Prioritizing male awareness of social change and becoming agents of change in changing this social norm. There needs to be a dangdut singer who has a mission to fight to cut down on patriarchal culture and show a voice of resistance against social construction that is very gender biased.</p>Andiwi MeifilinaJumadil Saputra
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2024-12-222024-12-229224726510.21111/ejoc.v9i2.12428Hyperrealites Online Gambling Wins on The "Pola Gacor" Content Youtube
https://ejournal.unida.gontor.ac.id/index.php/ettisal/article/view/12451
<p><em>This research aims to analyze the phenomenon of hyperreality in YouTube content which displays "gacor patterns" in online gambling. Using a qualitative approach with a critical paradigm, this study applies Roland Barthes' semiotic method to explore how visual signs and text in the content shape perception and behavior The findings show that visual signs such as the highlighting of big winning numbers, the use of bright colors, and emotional expressions of content creators, as well as provocative texts such as "gacor patterns" and "auto max win" create denotative and connotative meanings that blur the boundaries between reality and reality. Fantasy analysis reveals that this content constructs a hyperreality of winning, where the representation of a big win becomes more dominant than the actual reality. This hyperreality encourages gambling behavior in the hope of getting a similar win, which in reality is very dependent on luck. The next myth is about instilling an ideology or belief about normalizing online gambling behavior in society. This content can normalize online gambling practices and make it an activity that is accepted and desired by society. This has the potential to change the public's perception of gambling, making it appear to be a legitimate, legal, halal, and effective way to earn money. Thus ignoring the fact that online gambling is a high-risk activity that can cause significant financial losses.</em></p>Mustiawan MustiawanIswahyu Pranawukir
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2024-12-222024-12-229226728310.21111/ejoc.v9i2.12451The Analysis of Creative Content Virality in Jawa Pos-Radar Lawu Digital Media in the Era of Technology, Information, and Communication
https://ejournal.unida.gontor.ac.id/index.php/ettisal/article/view/12552
<p><em>Jawa Pos-Radar Lawu is part of the Jawa Pos Group which is oriented towards presenting important, interesting, and up-to-date information from various regions around Mount Lawu. Despite being less than a year old, this media outlet is dedicated to producing creative content through digital platforms. This is reflected in the diverse topics chosen periodically, which are based on their potential to be viral. This study aims to examine the virality of creative content on Jawa Pos-Radar Lawu’s digital media as a strategic approach to public communication in the context of the information and communication technology revolution. The researcher formulated two main research questions: (1) What factors contribute to the virality of content on Jawa Pos-Radar Lawu’s digital media? This study employs a qualitative approach, with the researcher serving as the primary instrument for data collection. The research involves gathering data from the following sources: (1) content documents with the highest visitor numbers, (2) visitor statistics from March, April, and May, (3) recorded interviews with key informants, and (4) direct observation of Jawa Pos-Radar Lawu’s digital media. The data analysis process includes three stages: data reduction, data presentation, and drawing conclusions. The findings indicate that the virality factors exhibited by Jawa Pos-Radar Lawu align with Berger's six theories of contagion: social currency, trigger, emotion, public, practical value, and story. The most dominant principles used are trigger, emotion and story.</em></p>Sapta Arif Nur WahyudinSutejo SutejoAgus Setiawan
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2024-12-242024-12-249210.21111/ejoc.v9i2.12552Netizens' Opinions on the "Boycott Misleading Horror Movies" Action on Social Media Instagram
https://ejournal.unida.gontor.ac.id/index.php/ettisal/article/view/12670
<p>This study aims to analyze netizen responses to the boycott of horror films that use religious symbols on Instagram social media, as well as identify factors that influence netizen behavior after watching the film. This research uses a qualitative method with a content analysis approach and a netnography study. The results show that the majority of netizens support the boycott of films that are considered misleading and damaging to the faith, with the film «Kiblat» as one example that is considered to harass Islamic symbols. Netizens› reactions are influenced by various factors, including social factors, personality,religiosity, age, and the role of social media. Instagram, as the main platform, allowed netizens to express their opinions regarding the boycott of this horror movie, which shows that social media has an important role in shaping public opinion and can have a significant impact on the film industry in Indonesia. Netizens› negative reactions to the use of religious symbols in horror films reflect a high sensitivity to religious issues, especially when they are perceived to undermine faith values. This research provides important insights into how religious symbols in horror films can trigger widespread social reactions among social media users, as well as how such reactions can influence trends in the creative industry in Indonesia, particularly in the production of films involving religious elements.</p>Syahrul RamadhanNur Maghfirah AesthetikaHelmy MuhammadNur Aini Shofiya Asy'ari
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2024-12-222024-12-229230532110.21111/ejoc.v9i2.12670Peran Administrasi Bisnis Dalam Implementasi Komunikasi Organisasi Jaringan Franchise Warung Tegal Jabodetabek
https://ejournal.unida.gontor.ac.id/index.php/ettisal/article/view/12855
<p>This study aims to analyze the role of business administration in implementing organizational communication within the Warung Tegal (Warteg) franchise network in the Jabodetabek area. The research employs a qualitative descriptive method, focusing on analyzing the realities faced by the Warteg franchise network regarding business administration and organizational communication. The findings reveal that although the Jabodetabek Warteg franchise has adopted the franchise model, its impact on elevating the status of traditional Warteg establishments remains insignificant. Several positive factors were identified, including (1) profitability due to the provision of staple foods, (2) an automated operational system that does not require startup or specific marketing strategies, (3) a well-established brand, (4) a clear operational system, (5) a modern 3S (Neat, Clean, Compact) building concept, and (6) an effective application of the GFC (Good, Fast, Cheap)<br />principle. However, there are still some limitations, such as (1) a lack of strong positioning, both functionally (addressing hunger) and emotionally (appealing to a specific consumer segment), (2) the product’s brand character has not achieved top-of-mind awareness among consumers, (3) a lack of differentiation in terms of taste or customer experience, (4) suboptimal location strategy due to limited parking space, and (5) challenges in meeting online order demands. Additionally, the study uncovers opportunities for further development, such as flexible partnership packages that offer a quick return on investment, well-established managerial SOPs, franchisers assisting with location selection, and a cooperative leadership role. A key finding is that, among seven Warteg franchises, the “New Bahari” (WNB) network has successfully implemented digital technology through an ERP (Enterprise Resource Planning) system with real-time control applications, YouTap POS and YouTap BOS.</p>Noviana TursanurohmadMade Wilantara Made WilantaraMisnan MisnanIswahyu Pranawukir
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2024-12-222024-12-229226728310.21111/ejoc.v9i2.12855Strategies of Virtual Influencers Crafting Viral Content in Indonesia
https://ejournal.unida.gontor.ac.id/index.php/ettisal/article/view/13251
<p><span style="font-weight: 400;">Virtual influencers are becoming increasingly popular on social media, with many major brands targeting young consumers preferring virtual influencers as they are easier to manage compared to human influencers. This study aims to analyze the digital storytelling strategies and representations of virtual influencers from various countries, specifically Indonesia, the United States, and Brazil, on social media platforms like TikTok. Using a qualitative method with narrative analysis, this study found that virtual influencers reflect significant cultural and market differences based on their promotional focus and content style. For instance, Indonesian virtual influencer Arbie Seo promotes products from the brand Nabati, and Lentari Pagi focuses on promoting sports events like e-football. Meanwhile, American virtual influencer Lil Miquela collaborates with major brands like Dior, and Lu do Magalu from Brazil promotes household products. Digital storytelling is compelling as it unconsciously draws audiences into following storylines by integrating multimedia elements presented by virtual influencer content. This strategy not only enhances audience engagement but also increases the potential for content to go viral. This study provides insights into how virtual influencers build audience connections through storytelling and appealing representations.</span></p>Zhafira ZenobiaMaylanny Christin
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2024-12-222024-12-229210.21111/ejoc.v9i2.13251