Etnografi Virtual Kontroversi Perilaku Seksual Menyimpang Sebagai Nilai Jual Film Kucumbu Tubuh Indahku
DOI:
https://doi.org/10.21111/ejoc.v6i2.6818Keywords:
etnografi virtual, perilaku seksual menyimpang, petisi onlineAbstract
Kucumbu Tubuh Indahku (KTI) adalah film kontroversial karena mengandung adegan perilaku seksual menyimpang (homoseksual). Studi ini menelusuri pro dan kontra yang terjadi di Facebook dan Instagram pada komentar netizen akibat munculnya petisi online boikot film LGBT. Metode penelitian dalam studi ini adalah kualitatif dengan pendekatan etnografi virtual. Peneliti terlibat secara partisipatif dalam dinamika perdebatan virtual dengan menggunakan akun media sosial pribadi. Pengumpulan data menggunakan penelusuran virtual dan wawancara online kepada delapan orang informan yang telah menonton film tersebut. Studi ini menemukan dua jenis petisi yang memboikot dan mendukung film KTI, dengan jumlah pendukung petisi boikot yang jauh lebih banyak dari penolak petisi boikot. Kubu pro boikot menilai bahwa tema perilaku seksual menyimpang sengaja dibuat untuk kepentingan festival, tidak memiliki nilai edukasi, sehingga tidak layak ditonton secara bebas. Kubu kontra boikot menilai bahwa film KTI harus dihargai sebagai karya seni tanpa perlu melihat konten LGBT. Kontroversi film KTI dengan konten perilaku seksual menyimpang menjadi nilai jual dengan mengabaikan dampak buruk bagi moralitas penonton.AbstractKucumbu Tubuh Indahku (KTI) is a controversial film because it contains scenes of deviant sexual behavior (homosexual). This study explores the pros and cons of Facebook and Instagram on netizen comments due to the emergence of online petitions boycotting LGBT films. The research method in this study is qualitative with a virtual ethnographic approach. Researchers are participative involved in the dynamics of virtual debates using personal social media accounts. Data collection uses virtual searches and online interviews with eight informants who have watched the film. This study found two types of petitions that boycotted and supported the KTI film, with a much higher number of supporters of the boycott petition than those who rejected the boycott petition. The pro-boycott group considered that the using theme of deviant sexual behavior in KTI was for the festival's sake, had no educational value, so it was not worthy of being watched freely. The counter-boycott group considered that audience should appreciate KTI film as a work of art without seeing LGBT content. Thus, the controversy over the KTI film with the content of deviant sexual behavior becomes a selling point by ignoring the negative impact on the audience's morality.References
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